Oseikrom Sikanii has fired back at Beeztrap KOTM after the latter dropped a diss track linked directly to him. The Kumasi trapper told Beeztrap never to bite the hand that feeds him, claiming he played a major role in the younger artiste’s rise and even funded early career moves.
The exchange escalated after Oseikrom, in a recent interview, called himself a certified hitmaker and named Beeztrap as proof. He said any artiste chasing a hit only needed to work with him, positioning himself as the “gate opener” whose contribution on “Fly Girl” laid the groundwork for Beeztrap’s TGMA Best New Artiste win. Beeztrap answered with the track “GANGSTA,” which fans quickly tied to the comments. Oseikrom then responded on Snapchat and in videos circulating widely, insisting he stood by Beeztrap when few others did, paid for apartments used in video shoots, and defended his name. He alleged the “Fly Girl” credits were later flipped from “Oseikrom Sikanii ft. Beeztrap” to the reverse once the song gained traction. “Never bite the hand that feeds you,” Oseikrom stated, adding that Beeztrap is still climbing and should pay homage to those who showed him the way. He also referred to him as a little brother or small boy in the response.
The two have shared multiple records. “Fly Girl” arrived in March 2024 with a remix featuring Gyakie that pushed numbers higher. They also linked on “Number One” in 2024, “Dance Like Nobody,” and the earlier “Spoil Der.” Beeztrap, born Edwin Eshun and known as King Of The Moment, broke through with tracks like “Distance Relationship” and “Cinderella,” then stacked features with Sarkodie, Shatta Wale, Medikal, and the Asakaa collective. His 2025 TGMA haul included Best New Artiste and Best Hiplife Song. Streaming figures as of early August 2026 show Beeztrap with roughly 313k Spotify monthly listeners against Oseikrom’s lower count, with standout plays on “Shoulder” (over 3.5 million) and “Amen” (around 2.5 million). Oseikrom’s catalog runs deeper, with “Ting Ting” among his stronger solo marks and total streams past the 100 million mark according to circulating comparisons.
This is not the first time Ghanaian trap and drill circles have turned collaboration into confrontation. Similar credit disputes and “who put who on” arguments have played out in the Asakaa wave and earlier hiplife rivalries, where early joint work often becomes the flashpoint once one party’s numbers climb faster. What stands out here is the personal investment claim. Oseikrom went beyond musical features to allege concrete financial support for shoots and opportunities at a time when Beeztrap was still building. That detail has not been addressed publicly by Beeztrap’s side in the initial wave of reactions. Fans on social media are split between those who see Oseikrom’s comments as overreach and those who argue loyalty should cut both ways once the money and awards arrive.
Beeztrap’s “GANGSTA” keeps the tone street-level and dismissive without naming names in the most explicit way, yet the timing and fan consensus leave little doubt about the target. Oseikrom’s reply stays focused on the debt narrative rather than trading bar-for-bar insults in a full track so far. Both remain active. Oseikrom has continued rolling out visuals and new material under his “I’m Me” and “Hansy” branding, while Beeztrap rides the momentum of recent collabs and the TGMA recognition. The Ghanaian music space has seen these moments resolve quietly, explode into longer wars, or simply fade once the next drop arrives. For now the conversation centers on whether “Fly Girl” was the launchpad Oseikrom claims or simply one strong feature in a broader run that Beeztrap and his circle engineered themselves.
As of 7 August 2026 the public record shows one clear diss track and a direct verbal reply that frames the
entire matter as ingratitude after early support.
Oseikrom Sikanii and Beeztrap KOTM turned a hit collab into the latest Ghana trap beef, and the flowers
argument is still open.